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| 2009-2010 Season |
2009: |
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Maria is a young mother married to Sigfrid, a charming but boorish
dockworker who cheats on her and drinks heavily.
Her unlikely escape comes through photography, as she secretly
takes exquisite photos of the world around her with a camera won in a
lottery. Based on a memoir by the directors wife, this evocation of
working class life in early 1900's Sweden has both an epic sweep and an intimate, even mythical feel.
Ravishing and picturesque without being overly quaint, the film also carries echoes of some
of Bergmans works. We are delighted to open our season with the film of a 5 times Academy
Award nominated craftsman
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| 20th October: |
O'Horten
Norway
Dir: Bent Hamer
2007
90 mins
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67-year old loner Odd Horten is reluctantly due to retire after having spent a quiet life as
a train diver in the Oslo-Bergen line. But with just one more trip to makes, life still has a
few suprises in store. From the award-winning director of Kitchen Stories and Factotum,
this is a warm-hearted tale with a tender message about seizing the day. With nods to the work of
fellow scandinavian Aki Kaurismaki, O'Horten is a brilliantly pitched excercise in
quirky, desert-dry comedy
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| 3 November: |
Hunger
Uk/Ireland
Dir: Steve McQueen
2008
96 mins
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Turner Prize winning artist Steve McQueen's astonishing feature debut is a visually
stuning evocation of the hardships faced by both guars and IRA prisoners duting the
1981 hunger strikes. With a minimum of historical scene-setting or relief from the hellish
intensity of the Maze prison, Hunger glides though three clear movements - Life, Debate and
Death - each with its own mood and method of enquiry. rightly feted, McQueen's film represents
a sublime leap from visual art to cinema, with images that are in turn ravishing, and haunting.
Featuring and extraordinary performance by Micheal Fassbender as Bobby Sands, Hunger was
voted as Sight and Sound's film of 2008. A masterpiece.
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| 17 November: |
The Good, The Bad and The Weird
South Korea
Dir: Kim Jee-woon
2008
130 mins
15
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In 1930's China, a trio of Korean outlaws battle local bandits, the Japanese army and
each other over the fate of a mysterious treasure map. Another stylistic left-turn for Kim Jee-Woon
(A Bittersweet Life, Tale of Two Sisters), this blatant homage to Sergio Leone's most famous
film is also South Korea's most expensive film ever made. With a convoluted
plot, oddball comedy and some of the most satisfying action sequences to be seen in
years, this is a wildly entertaining, unpredictable and often deliciously insane ride.
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| 1 December: |
My Winnipeg
Canada
Dir: Guy Maddin
2007
80 mins
12a
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A fantasy documentary in which Maddin (The Saddest Music in the World) muses on his
hometown of Winnepeg - its history, architecture, and inherent sleepiness - and tries to
understand his relationship with the sity by revisiting childhood memories sidtorted with
imagination and downright lies. Funny, touhing and personal, this endlessly inventive,
deliciously eccentric and suprisingly accessible snowbound film is probably the best
introduction to the weird and wonderful world of the Canian auteur-archaeologist. An
utter delight throughout, My Winnepeg is like a David Lynch directed version of
Michael Moore's Roger & Me.
This film will be followed by the Society AGM
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| 15 December: |
El Bano del Papa
Uraguay
Dir: César Charlone/Enrique Fernández
2007
98 mins
15
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On hearing the announcement that the Pope will be visiting the poverty-stricken village of Melo,
family patriarch Beto decides to cash in on the potential flurry of activity by building a first-class
latrine which the congregants can pay to use. Dazzlingly directed and written by City of God
cinematographer César Charlone, alongside first-timer Enrique Fernández whose own memories of growing up in
Melo are brought to life in subtle documentary style. An emotionally rich and tender film, this
charming and beautifully played colourful work is likely to be one of the sweetest films you'll see
this year
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2010: |
| 5 January: |
Far North
UK
Dir: Asif Kapadia
2007
89 mins
15
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Two women, Saive (Michelle Yeoh) and Anja, rescue a man named Loki (Sean Bean) who
has fallen through the ice. After bringing back to their camp, both women compete
for Loki's affections with tragic consequences for their relationship. Shot in the freezing
but beautiful Norwegian Arctic and in the extreme northern archipeligo of Svalbard, the
landscape is the films true subject. This dazzling, breathtaking fairytale often hits a
note of genuine mystery and otherworldness, and the shock ending establishes Kapadia (The Warrior)
as one of our most interesting storytellers
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| 19 January: |
8˝ (Otto e Mezzo)
Italy
Dir: Federico Fellini
1963
138 mins
15
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Marcello Mastroianni stars as Guido, a successful director
working on his new film where he encounters many struggles with his wife,
mistress and hired help, and retreats into his dreams to cope and find inspiration.
A complex and honest study of a man in a personal and professional crisis, 8˝ is a
fantasy chronicle of Fellini's attempts to sustain his reputation as a cinematic genius.
Daydreams, memories, nightmares and frustrating confrontation merge as a beautiful array
of imagery is conjured in this rare opportunity to see Fellini's Oscar-winning classic
on the big screen, nearly to the day when Fellini would have celebrated his 90th birthday.
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2 February:
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Crimson Gold
Iran
Dir: Jafar Panahi
2003
95 mins
12a
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Hussein is a Tehran pizza deleivery rider sharing his aimless existance with
future brother-in-law Ali. After being insulted by a store owner, the war veteran
becomes increasingly conscious of the economic split in Iran before atttempting a
doomed jewellery heist. Jafar Panahi ( The Circle, Offside ) offers tantalising
images of contemporary society impressively scripted by Abbas Kiarostami, and with a soulful
saxophone score from Peyman Yarzdanian, Crimson Gold is a powerful and engaging tale
providing further evidence of the continuing vitality and evolution of Iranian cinema
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| 19 January: |
Silent Light
Mexico
Dir: Carlos Reygadas
2007
136 mins
15
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Johan is a deeply religious family man living in a Mennonite community with his wife Esther
and their brood of children. But his two year affair with Marianne slowly crushes the trio
with the apparent impossibility of finding a resolution to their predicament. Their
mesmerising accumulation of images is consistently striking and pulsing with symbolism,
none more so than the audacious opening shot of a starry sky slowly giving way to a
rural dawn. Slow-paced it ma be, but those willing to submit to Reygadas' astonishing
vision will find themselves entranced and ultimately uplifted by the incredible transformative
power of his filmmaking
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| 2 March: |
Jar City (Mýrin)
Iceland
Dir: Baltasar Kormákur
2006
93 mins
15
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When an aging loner is found dead in his home, neither the motive nor
identity of the killer is clear. The only clue is an old photo showing
the grave of a girl who died three decades earlier. Based on the 2002 novel
'Mýrin' by Arnaldur Idrioason, Kormákur's (101 Reykavik) superior film
noir finds a perfect home in Iceland's unforgiving stark landscapes, in tense
performances, a haunting choral score, topical material on data privacy and a
story that is never far removed from tragedy, Jar City is a multi-layered
gripping crime thriller with a strong sense of place.
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| 16 March: |
Goodbye Solo
USA
Dir: Ramin Bahrani
2008
91 mins
15
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An elderly man gets in to the back of a taxi cab of an African immigrant and
offers him a deal. For $1,000 he wants to be driven in ten days to the top
of a mountain in Blowing Rock National Park, making no mention of a return journey.
Superbly directed and convincingly acted, Goodbye Solo looks into the
importance of families, both the one we make and the ones we are born into.
Following on from Man Push Cart and Chop Shop, Bahrani is fast
developing into one of the most promising talents in US independent cinemas
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| 30 March: |
Amal
Canada
Dir: Richie Mehta
2007
101 mins
cert tbc
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Eccentric billionaire G.K Jayaram is so moved by the altruistic
nature of auto rickshaw driver Amal, that he decides to bequeath his
entire fortune to him. When Jayaram dies, his lawyer has just 30 days
to find Amal amongst Delhi's 80,000 rickshaw drivers. Capturing the
frenetic bustle of Delhi's street life, and buoyed by subtle, heart-warming
performances, this crowd-pleasing fable proves that sometime the poorest
of men are also the richest. We are delighted to announce this booking
ahead of Amal's release date, and hope nearer the time to confirm
a special guest.
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| 13 April: |
In Memoria di Me
Italy
Dir: Saverio Canstanzo
2007
111 mins
15
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Andrea is a new recruit at a strict Jesuit seminary on an island
across from Venice. Under the watchful eye of his Mater Superior,
he immerses himself in the daily routines of prayers, scripture reading
and contemplation, yet serious doubts about his chosen vocation soon surface.
Faith is the subject of this quiet, absorbing and intense psychological drama,
which asks whether the extreme commitment demanded of Jesuit monks magnifies or
denies the experience of life. Costanzo's film is beautifully shot, and the
imposing architecture of the seminary is integral to the power and mood of mystery
that pervades this dream-like film.
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| 27 April: |
Anvil! The Story of Anvil
USA
Dir: Sacha Gervasi
2008
80 mins
15
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Formed in 1978, Canadian heavy metal band Anvil were
tipped for the top. Three decades and 13 unsuccessful
albums later, Sacha Gervasi, a diehard fan from his teenage
years, makes a documentary following band members Lips' and
Robb's heartbreaking determination to give it one last shot.
And then another. And just one more. In a world of instant
celebrity and X-factor manufactured starts, Anvil presents
a touching and real look at the music industry and the trials and
tribulations of keeping the faith. Refreshingly inspirational,
endearing and very funny.
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| 11 May: |
Waltz with Bashir
Israel
Dir: Ari Forlan
2008
90 mins
15
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In his feature-length animated documentary, filmmaker and
one-time soldier Ari Forlan set out to reconstruct repressed
memories of his role in the 1982 Sabra-Shantila massacres in
the first Lebanon War. It is a reconstruction where dreams
and hallucinations are given as prominent a place as more straightforward
recollections and eyewitness accounts. His extraordinary journey is awash
with striking images, and the use of animation allows scenes to be created
that would be impossible to act. Winner of a Golden Globe, and nominated
for an Oscar and BAFTA, this is one of the most visually dazzling and original
films about war ever made.
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